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RijksakademieOpen 2011

1 – Installation view: Equation (foreground) and Flat Earth Trilogy
2 – Installation view (bottom to top): A hybrid is not necessarily
a bastard / 4x5 / 2x2 / Test (Untitled) / The Truth! (its sacrifce is
disappearance) / If Then Or And Zero & A Consequent Line
(patternizing gender gestures), black/white laser print, 29.7x42cm,
3 – Flat Earth Trilogy (left to right): Flat Earth (plan view),
Flat Earth (says the dogma to the hot dog: "you smell like a sausage")
oil on paper, 150x200cm; Flat Earth (dissolution), oil on canvas,
160x220cm
4 – 4x5, marbled balloons, linnen-laminated board, 80x100x25cm
5 – The "Colors at Night: Grey or white?" Problem
(Controlled Expression), wall paint on board, 244x200cm
6 – Installation view
7 –The Truth! (is in disguise but the feelings were for real)
plasticine, wigs, wire, paper; overall dimension 120x160x100cm
8 – Attempting to Understand the Artist's Studio Creation Trauma
(#1 Object: Chair, 2010), stills from silent video, black/white, 8:30min/loop
9 – Attempting to Understand the Artist's Studio Creation Trauma
(#2 Working Clothes), stills from silent video, black/white, 6:54min/loop

all 2011

Punk Is Not Death and Other Essential Elements
(Object, Light, Observer), 2011

Menuet For Pedestrians, Peacocks and A Cleaning Machine,
permanent installation at W139 Amsterdam, 2011

Stephany oeuvre radical 20th Utopischen /
work is extension Rebecca implications /
Stephany's disregard of Stephany's and /
Rebecca Stephany's a practical experiences /
Her reacts fashionable while culture /
consistently Stephany sculpture, childlike take /
while about culture nature. Stephanys as /
Since Stephany consistently transformations objects /
Rebecca and created schafft und /
Stephany feminist homemade aesthetics. Stephany In /
practice encompassing painting, Rebecca und /
Stephany installation-based practice integrates matter, /
Rebecca Stephany and has utopian /
performative range Stephany continuously existing/

THE 2010 Potpourri